11
Nov

Lets keep “dribbling”!

   Posted by: Dorothea Preis   in News

To continue from our recent media retrospective, here is another example that those who work with Shakespeare’s work are well aware of the difference between play and reality.  Don Crane is a professional actor and teaching artist with The Shakespeare Theatre in Washington, D.C. and is at present directing a production of Richard III at a school, Westfield High.  This is what he had to say about the play and the man:

It’s a story of good triumphing over evil, but also a propaganda piece Shakespeare wrote for the Tudors. The character of Richard III is depicted as a spider — deformed, disgusting and rotten from within and without. But of course, it’s all a lie.

We can but hope that the audience of this production as of all others that the fascinating character of the play is “all a lie”!

Source:

Bonnie Hobbs, ‘Westfield Presents ‘Richard III’ – Not your father’s Shakespeare’, Centre View (10 November 2011).  URL:  http://www.connectionnewspapers.com/article.asp?article=355709&paper=62&cat=104 Date accessed:  11 Nov 2011

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10
Nov

Experience Richard III in Oxford

   Posted by: Dorothea Preis   in News

After Christ Church College’s Special Interest weekend ‘Blood and Roses’, Oxford offers another reason for the Ricardian to visit this beautiful city.

This morning a member of the Yahoo Group of the American Branch of the Richard III Society posted that the ‘Oxford Experience’ is running a course on Richard III next year.

The “Oxford Experience” is a Summer School of the Department for Continuing Education of Oxford University.

Anything concerning Richard III gets my attention, but this course should be special.  Its stated aim is “to present an accurate and balanced assessment of a much maligned man and monarch”.  The course runs for a week, 1 to 7 July 2012, and includes an array of fascinating topics:

•    The Fifteenth Century: the political and social background and royal genealogies of the houses of Lancaster, York and Tudor.

•    Richard, Duke of Gloucester: traces the early life of Richard, his roles and duties and relationships with brother Edward and other members of the nobility.

•    The Princes in the Tower: examines the evidence leading to the incarceration of the princes and assesses the various debates on Richard’s role.

•    King Richard: assessment of his brief reign, his achievements and the conspiracies against him.

•    Myths and Legends: examination of Richard’s legacy, the myths and legends which were generated upon his death and why Tudor propaganda shaped his reputation for centuries to come. The course will end with an opportunity to present your own case for or against King Richard III.

Participants of the course will be accommodated at Christ Church and can thus experience “A Slice of Student Life”.

What a great opportunity it would be to attend this course on a historical person in whom we are so interested in such beautiful surroundings as Oxford in general and Christ Church in particular!

You can find out more about the course at http://www.conted.ox.ac.uk/courses/details.php?id=V210-22&Category=900

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Recently there were a few mentions of Richard III in the media, which differentiate clearly between Shakespeare’s evil tyrant and the historical person.

The first was Allan Massie, famous Scottish writer and columnist, who wrote on 23 October a column in the UK Telegraph on Gaddafi’s death (we reported).  Massie is careful to distinguish between the literary Richard III and the historic Richard III as represented by the Richard III Society, which he mentions explicitly.  This is what he had to say (highlights mine):

To forestall complaints from members of the Richard III Society who think him a much maligned figure, a victim of scurrilous Tudor propaganda – and that much is certainly true – let me say that it is Shakespeare’s Richard, not the historical Richard of whom one knows little for certain, that I am talking about. Shakespeare’s Richard then is a scoundrel, a liar, seducer, murderer and tyrant, granted only two redeeming qualities – wit and courage.

The second was Michael Dobson in a review of the film Anonymous in the Guardian on 26 October 2011. He is director of the Shakespeare Institute at the University of Birmingham and emphasises that Shakespeare was not and did not want to be a historian evaluating sources to establish a truthful presentation of his object to appeal to our intellect.  No, he was a man of the theatre and wanted to appeal the audience’s imagination:

He gave his audiences Richard III, the hunchbacked wicked uncle, rightfully destroyed by the good avenging prince, for instance, rather than the complex politician of history, defeated and killed by an invading opportunist. History may provide good raw material for drama, but it will need a bit of underlying myth if it is really going to stay in the imagination.

This point was also made by Shakespeare actor John Bell during a recent talk he gave in Sydney.

The last mention (so far) was found by our never-tiring secretary Julia in today’s Australian Daily Telegraph.  She tells us that its education page deals with Shakespeare’s villains:

Some of his most interesting creations are his villains. Some are evil incarnate, cruel, vengeful and beyond redemption. Others seem to be victims of their own excessive desires. In some cases, Shakespeare redeems his villains, in others they get what they deserve.

Of course, Richard III features here – Kevin Spacey photo as illustration; others are Macbeths, Iago, Claudius and Aaron from Titus Andronicus. The first part of the article on Richard III is all about Shakespeare’s Richard, but then it continues:

The real Richard was neither deformed not as heartless and ambitious as Shakespeare’s character, but may have been the victim of Tudor propaganda. Shakespeare lived under a Tudor monarch and it had been a Tudor who had defeated Richard to become the first of a new dynasty.

Clearly, our message is being heard, but that does not mean that we can rest on our laurels.  After 500 years it is high time that a historically more accurate view of Richard III should prevail, rather than the distorted image that is still found too often.  As Julia remarked:  “A small dribble on the stone of persuasion, but it all helps!”

Sources:

Allan Massie, ‘Gaddafi’s death shows that there is always pathos in the destruction of the powerful’, The Telegraph (22 October 2011).  URL:  http://blogs.telegraph.co.uk/culture/allanmassie/100057193/gaddafis-death-shows-that-there-is-always-pathos-in-the-destruction-of-the-powerful/ Date accessed:  23 Oct 2011

Michael Dobson, ‘Out, damn’d conspiracy! Shakespeare was no fraud’, Guardian.co.uk (26 October 2011).  URL:  http://www.guardian.co.uk/stage/2011/oct/26/shakespeare-is-no-fraud Date accessed:  26 Oct 2011

Troy Lennon (ed.), ‘Shakespeare’s Villains’, Daily telegraph – Classmate (8 November 2011).  URL:  http://resources.news.com.au/files/2011/11/09/1226189/951723-dt-classmate-villians.pdf Date accessed:  8 Nov 2011

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31
Oct

Horrible Histories – again!

   Posted by: Dorothea Preis   in News

A special ghost for Halloween!

A few months ago we brought you a short article about a clip on Richard III from the Horrible Histories series.  I just discovered another item from Horrible Histories on YouTube.  This time it is about William Shakespeare re-writing history in his play about Richard III.  With all the furore about the film Anonymous at present it seems well-timed.

Click here for the YouTube clip.

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24
Oct

Keep up the good work, we are seeing results

   Posted by: Dorothea Preis   in News

In last Saturday’s Telegraph (the newspaper in the UK, not the Australian one) Allan Massie, famous Scottish writer and columnist, wrote a column on Gaddafi’s death.  In it he says ‘The death of a tyrant may be a matter for rejoicing, but it may also be the stuff of tragedy or at least pathos.’

He makes his point by comparing Gaddafi’s death to the fall of the tyrants in Shakespeare’s Macbeth and Richard III.  In both cases the popular image of the real-life king has been very much influenced and overshadowed by the Bard.  Allan Massie is very well aware of Shakespeare’s influence and is careful to distinguish between the literary Richard III and the historic Richard III as represented by the Richard III Society.  This is what he had to say:

To forestall complaints from members of the Richard III Society who think him a much maligned figure, a victim of scurrilous Tudor propaganda – and that much is certainly true – let me say that it is Shakespeare’s Richard, not the historical Richard of whom one knows little for certain, that I am talking about. Shakespeare’s Richard then is a scoundrel, a liar, seducer, murderer and tyrant, granted only two redeeming qualities – wit and courage.

We appreciate all the good work the Richard III Society, of which we are just one small part, is doing.  Allan Massie’s column shows us that the efforts are bearing fruit.  Keep up the good work!

You can find the article from the Telegraph here.

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22
Oct

From my bookshelf – Treasures of the English Churches

   Posted by: Lynne Foley   in Bookworm

J. M. Robinson, Treasures of the English Churches.  Sinclair-Stevenson, 1995.   ISBN  9781856192866

This book is the culmination of a search of England to find interesting features of local churches, profusely illustrated in black and white and colour.  Not best pleased, however, to see on p. 131 a reference to  St Mary’s and All Saints, Fotheringhay, Northamptonshire:  Back of the pulpit with Tudor Royal Arms (and a colour picture).   Surely there are other treasures in this church that they could have chosen…

We do rather better with the Digger’s Club Garden Annual catalogue which lists on p. 28 – “King Richard:  The King of leeks.  An excellent early variety.  Produces extra long shanks with a creamy texture.”

I have adopted this vegetable for our King Richard.

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19
Oct

Medieval Traditions in Parliament

   Posted by: Julia Redlich   in News, News from Other Organizations

On Thursday, 13 October 2011, an impressive number of people arrived at the New South Wales Parliament House in Sydney, not to watch politicians at work from the Gallery, but to hear Professor Stephanie Trigg from Melbourne University speak on “The Traditional, the Quaint and the Medieval in Australian Parliamentary Practice”.

There could be no better place to hear Professor Trigg speak than the Parliamentary Theatrette and, warmly welcomed by the hosts, Heraldry Australia, and some delicious refreshments beforehand, we sat back to enjoy a talk delivered with knowledge, humour and expertise.

The illustrated talk invited us to explore the medieval component of parliamentary rituals, objects and traditions, together with the relationship between the medievalism of such objects and practiced and the tradition that remains in Australian parliamentary practice.

The medievalism of course is based on the Westminster parliamentary system, and we were engrossed by the various uniform requirements for officers such as Black Rod and Speakers – some of which have been modified for modern suitability, and the option major figures have now of wearing wigs.

Some marvellous examples of the all important mace were shown, and we enjoyed the description of a makeshift mace made from a plumbing pipe when the correct one had not been finished in time. Even more curious was its mount (a toilet float) and the handles formerly on old shaving mugs.  Creativity at work when needs must …

A highlight of the evening was surely the picture of the valued and almost unique copy of the English 1297 version of Magna Carta, bought for Australia from the Kings School in Somerset for £ 2,500 in 1957.

Explanations of various parliamentary roles were given – and apparently they weren’t all safe and sure appointments, considering the amount of Speakers of the English Parliament who were murdered or beheaded in the 14th and 15th centuries.

This was something followed up by Christopher Puplik, the former Senator for NSW (and publicity office for our Branch of the Richard III Society in the 1980s), when he rose to thank Professor Trigg for her presentation that was so informative and inspiring.  He told the audience that members of the Richard III Society can relate to the execution of Speakers, remembering William Catesby, beheaded by Henry Tudor immediately after the Battle of Bosworth.

It was a memorable evening, something that didn’t surprise those of us who attended Professor Triggs’ presentation of “Ladies of the Garter” a few years ago, and we look forward to her return to Sydney next year in connection with her book on the Order of the Garter.

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18
Oct

Middleham Church Appeal News

   Posted by: Dorothea Preis   in News

At our AGM on 8 October, the NSW Branch unanimously decided to support the Middleham Church Appeal with a donation of $300.  Of course individual members are also encouraged to think about making a private donation – and I know that some members have done so since we first published the Appeal on our website in September.  However, the branch committee felt it was also important to do something as a branch and to give everyone the opportunity to feel involved.

I’m sure our members will be pleased to know that our contribution, though it might be small in the scope of the repairs needed, did not go unnoticed.  Phil Stone, Chairman of the Richard III Society, send us a ‘thank you’ on behalf of the Appeal and the Executive Committee of the Society saying that it will be appreciated by the folks in Middleham, who would probably not be able to raise the necessary funds on their own.  The Society also thanked us on their Facebook page.

The Church of  St Mary and St Alkelda has such strong Ricardian connections that we would not expect the community of Middleham to shoulder the costs on their own and feel it only right to express our support for Richard III in this way.

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14
Oct

John Bell on Shakespeare

   Posted by: Julia Redlich   in News

For Australians surely there can be no better person that John Bell to listen to about William Shakespeare.  During his childhood in Maitland he was fortunate to have Shakespeare-loving teachers who took classes to see the Olivier Henry V, Hamlet and Richard III, as well as plays performed by visiting companies (not always brilliant).   One teacher told his parents that John’s destiny was inevitable:  to become an actor.

And at Sydney University he made his first appearance in 1959 as Coriolanus in a production by Ken Horler with whom, ten years later, he was to found the Nimrod Theatre.  In the interim he had spent five years with the Royal Shakespeare Company in the UK.

As he left to return to Australia he admits he wondered if he was doing the right thing.  Now he recognises it is the best decision he ever made.  He has acted and directed Shakespeare for all the major theatre companies in Australia, and in 1990 he founded the Bell Shakespeare Company without which our theatre world would be a lesser place.

He gave a lively and wonderfully informed talk about his book On Shakespeare* on 11 October 2011 at one of North Sydney Library’s author presentations held in conjunction with The Constant Reader bookshop.  Naturally there was a full house, standing room only eventually, but who noticed as we listened to descriptions of Stratford on Avon and seeing the places where Shakespeare was born and died; of learning of the challenge of performing at the new Globe theatre, a replica of the original, where the vertical audience tiers mean goodbye to a subtle aside and character introspection.  Full on projection to the highest level …

The talk was kept to a reasonable length in order to have time for questions – and the first of these (from someone I could barely see across the crowded room) was about Richard III. Read the rest of this entry »

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12
Oct

The Lady of the Rivers

   Posted by: Julia Redlich   in Bookworm

The Lady of the Rivers

Book Review:  The Lady of the Rivers

Philippa Gregory, The Lady of the Rivers, Simon & Schuster.  ISBN HB 978-1-84737-59-2.

This is the third novel in The Cousins’ War series, examining the woman who became the mother of Elizabeth Woodville.  Her importance became evident to the author as she wrote The White Queen, and as we have seen in her previous books, Gregory can focus on the women in history who are frequently placed several places in the rear while men take centre stage, but whose impact on history in enormous.

The story of the young Princess Jacquetta of Luxembourg opens with her recognition of the skills inherited by some of the women in her family thanks to their descent from the water goddess, Melusine.  A few years later she marries John, the great Duke of Bedford, who admits her to his secret world of alchemy and learning and, in England, she soon realises the difficulties she will have to face: not just a new language to learn, but to meet a young, easily led king, his ambitious relatives and confront the jealousy of Eleanor, Duchess of Gloucester.  And it is the witchcraft trial, hideous deaths of accomplices and incarceration of Eleanor that is a warning of what Jacquetta herself might have to face if she cannot hide her own gifts. Read the rest of this entry »

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