Posts Tagged ‘Theatre’

13
May

Richard III on Trial For Murder

   Posted by: Dorothea Preis    in News

We are very grateful to Dr Phil Stone, Chairman of the Richard III Society, for sharing this information with us.

The Rainham Theatrical Society (RaTS)
are putting on a production of the play

“Richard III on Trial For Murder”

by Michael Bennett

(Mike runs the Richard III Museum in Monk Bar, York)

Performances are on July 18, 19, 20 and 25, 26, and 27

at

the Oasthouse Theatre, Stratford Lane, Rainham, Kent.

The Oasthouse Theatre is situated just off the A2, a few hundred yards past St. Margaret’s Church going towards Sittingbourne. Parking is available in Hidson’s car showroom car park on the A2.

Tickets are £7.50 and can be booked on-line here.

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6
May

Book Review – The Final Act of Mr Shakespeare

   Posted by: Dorothea Preis    in Bookworm

Julia reviewed The Final Act of Mr Shakespeare by Robert Winder.  This is a fascinating novel about William Shakespeare continuing his cycle of history plays by writing about Henry VII.  A book not to be missed.

You can find her review on our Bookshelf in the Medieval Library or just click  here.

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5
May

Richard III comes to Melbourne

   Posted by: Dorothea Preis    in News

A recent article in The Australian (1) alerted me to a new production of Shakespeare’s Richard III by the Melbourne Theatre Company, which according to the reviewer is outstanding.

So I decided to find out a bit more.  Instead of setting it in a historical context (and as the historical accuracy of the play is questionable at best, this makes a lot of sense), the play takes place in the boardrooms of the corporate world.  “Set as a contemporary political thriller, this gripping production dissects the corruption of power in testing times; when peace is abandoned and enemies mount in the minds of the paranoid.”(2)  Should politicians like George W Bush come to mind when watching the “spin and chicanery” in this performance this is not unintentional, the director Simon Phillips explains.  He does, however, not limit the analogy to one particular politician, as ”A lot of politicians try to hide their dirty laundry in the same way that Richard does, someone with ‘neither pity, love nor fear’.”

The director did intentionally not set the play in a totalitarian state as it was often done, as this “allows people to put everything at arm’s length from contemporary life because nobody identifies with them today. But I believe the play has so much to offer the modern sensibility.” (3)

In line with the modern setting the media are playing the role of the nobles of the play, while Buckingham is Richard’s ruthlessly ambitious PR man.  However, the stage belongs to Richard, as it should in this play, and it is him that the audience is interested in, as one reviewer says “we can’t but be moved by him”.

I particularly liked the comment on Richmond’s overthrow of Richard:  “his [Richmond’s] promises of peace uneasily echo Richard’s empty words at the beginning of his reign, hinting that the cycle of violence is by no means over.”(4)  Whatever your opinion of the historic Richard, these words are certainly true for the historic Richmond (ie. Henry Tudor).

The play runs until 12 June – maybe we should consider a little trip south?!

Notes:

1.   The Australian.
2.   Melbourne Theatre Company.
3.   The Age.
4.   The Australian.

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28
Nov

He Balanced The Budget

   Posted by: Dorothea Preis    in News

NewsWe recently noticed an article in The Stranger, a Seattle newspaper, about a new play about William Shakespeare (1).  Equivocation by the Jesuit Father Bill Cain premiered this year at the Oregon Shakespeare Festival.  The description sounds fascinating, let’s hope it comes to a stage in Sydney, too!  Read the rest of this entry »

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